Faces of Cosplay: Dr. Crossplay

One of my favorite cons is Cosplacon- a friendly, well-run affair that focuses specifically on cosplay and cosplayers.

This year, I went with Kiogenic (cosplay daughter) and friends to the annual event.  Once they were ready to hit the floor, we went down to the atrium for photos:

P1000905

this is Kiogenic’s “Lego Batman” Robin.

When we were done and they had run off to meet up with friends and other people much cooler than I am, I sat in the sunny, 1970’s lobby and watched the show.

I love Cosplacon because just about everyone is in cosplay (it’s a cosplay convention, after all).

There were assassins and pokemon, monsters and anime princesses. A sea of happy, excited and excellent cosplay.

But as I sat there, my attention was most drawn to an stunning, statuesque cosplayer in fishnets, top hat and a tailcoat.

Dr Crossplay Zatana 2

Dr. Crossplay as Zatanna Zatara

When he worked his way around the floor, I asked to take his photo and we struck up a conversation. This is how I met the eloquent, elegant Edward Johnson, aka Dr. Crossplay.

Name: Edward Johnson

Age-ish: 48 Years Old Be 49 this August

How long have you been cosplaying? I have been cosplaying four years now.

Why do you cosplay? I cosplay for fun along with the recognition and respect from other cosplayers and fans. I’m able to bring my favorite comic book characters to life and I love the positive attention I get from fans,other cosplayers, friends and strangers.

How do you decide what to cosplay? I get a lot of my choices from Google, Bing, Facebook, and Deviant Art.

Do you have a favorite, or signature cosplay? My favorite cosplays are and have been Zatanna, Harley Quinn, and Poison Ivy.

Dr Crossplay Harley

Harley Quinn.

Do you make or buy your cosplays?  I tend to make my own costumes.just not exactly from the fabric or from the first sequin and stitch up. I throw together my costumes from other clothes and some other costumes I buy locally on the cheap or from thrift and do some hemming here, and adding more style there, to make my costume the way I want it to be the best I can make it to be.

What advice do you have to other cosplayers? Start out small. Go to the nearest con or comic event nearest to where you live. Don’t be afraid to buy a costume and do some modding or fixer-uppers to get the costume to fit how you want it to. Many cosplayers start out for the first time will go with something simple and build up for there as they progress. If you go to a convention, you’ll see a lot of different types of costumes, from store bought to homemade, from simple to complex. Some people aim to look as much like the character they’re portraying as possible. Others don’t. It’s all a matter of personal choice. The key to not being intimidated by other cosplays is to remember, it’s just for fun and those cosplayers are having fun just as much.

What is the best thing someone has said to you about your cosplay? Most people will say “That’s a great cosplay. Did you make it yourself?”

What’s the worst thing that someone has said to you about your cosplay? The worst I’ve had to endure a few cat calls and some homophobic slurs. Most of the slurs were online. I will sometimes confront them online and put them in their place and or just block them all together.

Do you attend conventions? I most certainly do attend conventions,Yes. So far it has been Cosplacon in Jefferson City, Dodecacon in Columbia, Visioncon in Branson, Missouri.

 

The “Artistic Temperament” : Dispatches from Cosplacon Part I

Hello, and greetings from Cosplacon in Jefferson City!

One whole big hotel of cosplayers wearing everything from papier-mache anime heads to ghostbuster uniforms (complete with unlicensed nuclear accelerators). This is cosplay daughter’s favorite convention because it’s all about the cosplay. 🙂

The creativity and artistry on display here is amazing (photos soon, I promise!) and that has me thinking this morning about a subject that has occupied my attention of late- “the artistic temprament.”

I’m not an artist myself. I would never claim that title. This modest experiment in creative nonfiction (and the occasional steampunk hat) are but small forays into that landscape.  I’m at best a technician and wordsmith.

I know this, because I recognize a true artist in my daughter, and her best friend.

I also recognize it in the amazing folks I’ve met in and through this cosplay adventure, like my friend Sarah in the UK, who built/sewed/fabricated this Rocket Racoon FROM SCRATCH.

Sarah as Rocket

I also see it in the amazing creativity on display, the shipping and combinations on view at a convention like this: Hello Kitty Darth Vaders.  Master Chief as Master Chef.

I am amazed and impressed by these artists.

But as a Mom (which is a key element of this particular blog) I also see the struggles and challenges of being a member of that tribe.

I’ve written before about cosplay daughter’s strict attention and near-obsession with detail.  She sees minute differences and shadings that I simply don’t. She finds variations of color and configuration that I can’t even perceive to be ESSENTIAL to her design.  And sometimes, when she can’t realize her vision, she just simply refuses to go on.

(Remember those long fall boots? My first blog post? They’re sill in pieces in the garage.  Every once in a while she mentions them, but hasn’t returned to try and make them work.)

I saw that kind of thing again over the last couple of weeks with another artist (who needn’t be identified by name here, it’s not important) a costume and clothing designer.  She had invited me, cosplay daughter and cosplay best friend to model in a fashion show here at cosplacon. The theme was to be the ball scene in Labyrinth.

Labrynth

I was going to get to wear a BALL GOWN AND CREEPY MASK. Made by a REAL COSTUME DESIGNER. I was STOKED. The girls were too. How fabulous!

But then- attention to and control of detail. Costume designer communicates that she will need all three of us to commit to showing up for hair/make-up, rehearsals and photos at 11:30, for a 5:00 show that lasts until 6.  And during that time we are sequestered so as to not ruin the moment when we appear.

Wow. Ok, that’s a deal breaker for the girls, who aren’t excited enough to give 7 hours of their convention day to realize the vision and promote the business of someone else.  It’s a bit much to ask.

But I’m still in! (*chanting*)  Ball gown! Ball gown!

and then, just a few days before the convention, the designer reveals that she is simply not happy with the level of detail and scheduling notes that she’s getting from the convention (which like most of these events is volunteer run by young people with day jobs).  She won’t compromise her vision or risk the time and control she needs to make her art happen.

So she pulls out and refuses to participate. Rats.

As the girls would say: “sad face.”

sad face

So- was this a bit self-important and divaesque? Maybe. The convention organizers apparently thought so.

But here’s my observation- this is the kind of attitude and approach that makes the art fabulous to begin with. That attention to detail and confidence to demand that it be right or not happen at all is what can give us great works.

But it’s also hard and challenging- for the artist and for the fans/supporters.  I really was looking forward to that fashion show. I have also spent hundreds of dollars on a pair of boots that are still in pieces in my garage.

Both things are frustrating.

and the artists themselves- when they disappear in Salingeresque fashion, can lose business, or fans and then no one gets to see or appreciate their work.

There’s lots of definitions out on in the internet of the “artistic temperament”- everything from medical dictionary references to mood swings and blasts of creative energy; to centuries-old meditations on originality and self-involved self expression.

But I’m not sure any of these are really important or really capture my new experiences of being a artist groupie.

I do, however, often think of  Deborah Harkness’ amazing All Souls trilogy in which all artists (from playwright Kit Marlowe to mathematician and astronomer Thomas Harriot)  are actually daemons- brilliant, magical, vague, fickle, creative and destructive all at once.

Do I think my artist friends and family are daemons?

Of course not.

Do I think those artistic folks that surround me have abilities that seem otherworldly in their magic and inscrutability?

Yes. 

And how wonderful, challenging, rewarding and frustrating is it that I get to travel alongside of them?

more from Cosplacon later! I promise!